Friday, December 9, 2016


I was searching around on the web and came across this picture of a nice Shino mallet vase by Mizuno Takuzo, my original search didn't pan out despite searching for some time so in some ways this vase is a consolation prize of sorts. The form is certainly deliberate in nature with the type of inward taper moving toward the shoulder with the neck flaring out as it goes up giving the mallet just the right sense of proportions and geometry that appeals to me. Though there doesn't appear to be any iron slip applied, the Shino surface has blushed to pinks and orange flashes from top to bottom and coupled with the excellent texture makes for a rather visually engaging pot. I would be remiss if I didn't mention the shallow depression that moves from the shoulder to the neck which is highlighted by a spiraling texture that goes around the pot and is dusted with just a hint of wood ash especially in the depressions. I think if I was pressed I could come up with a reasonable explanation of what it is about the mallet form that interests me, but the short cut to the answer is simple, it appeals to me at a visceral level, I respond to the borrowed purpose and weathered aesthetic that is imparted on pots just exactly like this piece by Mizuno Takuzo. There is little more that I can ask or expect from a pot.

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