Friday, December 29, 2017

KOBU-SHINO

Soft white feldspar bordered by areas of rich, deep iron filled with cells of texture and color cover this pot from head to toe including the soft and undulating lid and purposeful knob. The truth is that every time you see a pot by Sakai Kobu, the Kobu-Shino immediately identifies exactly what you are looking at and though I have seen a number of mizusashi by him over the years, it seems like it is much more common to encounter his chawan than these larger pieces. As is readily apparent from the photo, Sakai throws his pots so they appear like that have a softness to them, the curvy lines almost look like the pot is in mid-collapse but it is these characteristic attributes that are so appealing to the eye and to the touch that are only accentuated by his skillful use of his modified Shino and iron glazes and his use of slips under the surface. Each pot paints a landscape, a portrait, a still life as the potter sees fit with his pieces resonating at different frequencies to different viewers, this is the beauty of his Kobu-Shino.