There are two distinct types of ash runs on the surface, one a bit dry and olive in nature and the other a glassy green terminating in bidoro drips at various points on the pot. The movement of the ash down the bottle juxtaposed against the purple-red fire color of the clay brings the form to life and makes for a rather rich landscape and gives me the feeling that I am looking at a horizontal style kakejiku scroll made of clay and ash. Though you will have to take my word for it, my wife had actual, real flowers in the vase for a couple of hours the other day and there is a potent completeness to the piece while in use and perhaps a hint of Edo style, I just wish I had taken some photos.