THE GOOD

Illustrated is a slightly unusual Tamba rokkukei style chaire by Nishibata Tadashi. As is probably readily apparent is that this is an earlier work, likely from the 90s and is a wonderful study in form and surface which work in near perfect harmony with each other. The form is not what I would describe as a typical chaire form though the surface is classic Tamba and Nishibata, fire color and a wet surface surround the form with some patches of thicker ash present but what is not quite evident in the photo is the overall wetness and iridescence fumed onto the surface during the wood fired process. Between the form and firing process, just like the geological forces accrued over time, this chaire has become its own little gem where each turn of the form exposes a different but continuing landscape wrapped around this geometrically create piece. The pot is completed with a fine textured cloaked around the chaire and topped off with the purity of a fine slightly off-white lid which through careful consideration adds a completeness.          

Likely based on historical archetypes that came from China (karamono), through his handling and firing, Nishibata has created an object that is distinctly Japanese (wamono) and leaning into Tanizaki’s philosophy, the angular planes add a real sense of shadow and mystery while by used in the tea ceremony. Though this is early work, before his mature style had come into play, it is clear that his considered sense of form, purpose, function and firing collaborated, one and all to gift us this diminutive treasure for use or just a lifetime of visual pleasure where the “good” just never goes out of style.