Made by
Yoshida Takashi, this koro was thrown out of a dense, white porcelain and then
had feet attached to the base and a lid thrown and pierced to complete the
form. The lid compliments the pot quite well and fits the koro so precisely
that there is literally no play between pot and lid. As you can see in the
picture the arabesque style underglaze decoration was rendered in a steady and
well practiced hand in which Yoshida used motifs that can be seen on quite a
few of his pots from large to small and everything in between. I think the sun
has done right by this pot showing off the nuances and subtleties of the
decoration allowing all of the variations within the brushstrokes to step up
and be noticed.
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