Thrown out of stoneware, the pot is a vocabulary of Spraque's pottery marks and stamps and the lid is finished off in his classic, ritualistic knob while the surface is a rich Shino glaze going from a blushed orange to a more sedate creamy color with applied ash here and there adding a some visual accents where needed. The base is finished off with the footring being cut away to provide four stable feet making for a nice sense of lift and shadow. This is a hard pot to tire of as there are little details here and there that keep you on your toes wondering, did I know or remember there was a small impressed stamp here or there making it almost factory fresh every time I pass by.
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