Illustrated is a well fired and somewhat formal Shigaraki hanaire by Honiwa Rakunyu II. Excelling at making traditional chadogu, Honiwa's work is immediately identifiable and processes a disciplined dedication to the craft of tea ware and many of his pots have attested boxes by both Buddhist priests and chajin alike. This vase created for the tokonoma displays an extreme between front and back with the face coated in a rich charcoal surface with melted green ash above the shoulders and the rear a combination of warm flashed area at the center with ash in various hues about the sides, base, neck and attached lugs; the pot has been painted by the fire with a wide array of brushes making for a surface that has a rich story to tell about its adventure. I was fortunate to have met Honiwa Rakunyu on several occasions and see a large number of his chadogu many fresh out of the kiln, his formal sense created objects for tea that most any chajin would be pleased to use. There is little more that a potter can ask to leave behind as a testament to his vision and dedication to a tradition at odds with and also perfectly in step with a new century.
You can see more of this vase over at my Trocadero marketplace;