When you
first think about it, this guinomi and the tokkuri seemingly have nothing in
common other than they were made by a potter and fired in a kiln. The guinomi
is by Kimura Morinobu and the tokkuri is by Oiwa Tomoyuki, they represent
different generations, currents in clay, firing technique, the clay and
surfaces not to mention distinct tradition but as I had these two pieces out it
became rather clear how well the pair not only co-existed but presented a
harmonious front. Both of these pots are of course intended for a specific
purpose, the drinking of sake, both were made with function as the primary goal
without turning a blind eye to the aesthetics where both are rather direct, innovative
and well considered. Though this pair may not be a marriage made in heaven it
is clear that they both share more than separates them and both have a hint of
an exotic flare whether they originate in Bizen or Kyoto, they both share that
distinct voice of clay.
"The secret
of a happy marriage remains a secret."
Henny Youngman
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