Illustrated is a two view picture of the front and back
of an Iga henko by Atarashi Keizo. Composed of slabs for the front and back, a
strip of clay, possibly thrown for the center of the form and a thrown and
slightly altered neck and mouth, the form is further articulated by marks made
by the potter to further articulate and define the surface. Made of a somewhat
coarse clay, this pot was wood fired and has weight and volume to this sturdy
form as well as displaying an array of effects that also clearly defines the
front and back of this pot. As for the incised decoration, I am not sure of
Atarashi's motivation but every time I look at the henko I am reminded of
roadside Jizo that I would see on my travels in Japan though I admit, everyone
will see something possibly quite a bit different. Atarashi Keizo moved from
Osaka to Iga after having apprenticed in Mashiko and set up his studio,
Kourin-gama in Mie Prefecture. Atarashi
must have favored this particular form as I have encountered a number of versions of this henko
that I have seen including one in the; GENDAI TOGEI HANAIRE (no) TSUBO
ZUIKAN that highlights potters and their
various interpretations of modern Japanese vase forms. At the end of the day,
this is a somewhat simple pot that was well constructed though in a casual
manner that doesn't seem all that interested in any mis-spent adventure.
Instead both Atarashi Keizo and pot rely on tradition, a hint of innovation,
good clay, a simple yet evocative form, a well fired kiln and years of
experience to guide a potter's voice to a well defined conclusion.
.JPG)