Admit it,
when you think of Suzuki Goro, Ki-Seto, Oribe, Seto-Guro and Shino spring to
mind; however, his diversity and
experimentation is broad and quite accomplished. One of the staples of Suzuki's
works as far back as the 1970's has been his Shigaraki influenced pots in every
shape and size. Back in the 1970's and 1980's a good number of his pots were
Shigaraki style while currently they seem to be a much smaller percentage of
his output. His Shigaraki pieces have the same dynamic sensibility to them as
much earlier Momoyama and Edo works and the clay is handled in a brusque and
masculine manner that creates their bold, almost bushi-like nature. Add to
Suzuki-san's bold handling of the clay, firings that accentuate and animate his
pottery and you can not help but have a winning combination.
Friday, February 1, 2013
MORE THAN MEETS THE EYE
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