Made by
Yoshida Takashi, this koro was thrown out of a dense, white porcelain and then
had feet attached to the base and a lid thrown and pierced to complete the
form. The lid compliments the pot quite well and fits the koro so precisely
that there is literally no play between pot and lid. As you can see in the
picture the arabesque style underglaze decoration was rendered in a steady and
well practiced hand in which Yoshida used motifs that can be seen on quite a
few of his pots from large to small and everything in between. I think the sun
has done right by this pot showing off the nuances and subtleties of the
decoration allowing all of the variations within the brushstrokes to step up
and be noticed.
Friday, September 11, 2020
SHOW OFF
I
am not sure what the weather is like where every you are but sunshine has been intermittent in recent days. On the day that this piece was
photographed the forecast called for overcast which we did
have until this momentary respite in which the Sun cast it long, warm reach
into our back room and coated the shelves in a wave of light and shadow.
Peeking out of the shadows is this very nice little koro made of porcelain with
yuriko underglaze shining at the surface with tones of red, grey and green
decorating the piece in a myriad of vines and birds circling the piece.
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