Two things are rather clear when looking at this pot, first off it looks like a chawan despite being a guinomi and secondly you wouldn't necessarily see his master in this work as he studied with Sakai Kobu in Toki for a time. As with many guinomi that I am particularly drawn to, this clearly appears to be a miniature chawan from the proportions of body to foot, the wandering lip, the slightly altered form and it overall posture. Made by Matsumura Sen (b. 1977) who now resides and works in Mashiko, he specializes in making Ki-Seto pottery in which he combines materials from Mino and Mashiko with the addition of cypress ash to create five variants of the glaze where each one has its own distinct characteristics and appearances. This particular Ki-Seto glaze has a moist, wet texture with some areas that are just a tiny bit dry easpecially around the base of the pot and the foot. On the guinomi there is an incised lotus blossom with luscious, glassy tanpan accents bringing the design to life and defining what one would consider the face of the piece. Well there is actually three things that are rather clear, having devoted over two decades to perfecting his Ki-Seto glazes and pottery, the rewards are great even in this pocket sized pot that is as great to look at as it is to use.
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