I
can only imagine that making pots for over six decades can lead to a number of
adventures, discoveries and achievements especially if you live in the heart of
the Mino ceramic tradition. Such is the case for veteran potter Kishimoto Kennin
who has explored and conquered a wide array of Mino styles as well as mastering
the art of kannyu style celadon and Iga wood firing. Along the way, Kishimoto
studied and mastered the basics of Shino, Oribe and Ki-Seto solidifying a
foundation that would in time lead to his modern works. His classic and
traditional styles showcases his unique approach, creativity and firing
techniques which have left behind an impressive and rather individualistic body
of work.
Illustrated
is a classic Ki-Seto chawan by Kishimoto Kennin. The form is definitely
Momoyama inspired and the contrast of the wet and dry surface is a result of layers
of natural wood ash depositing on the face of the bowl. This process has created
a rich surface where the ash has landed to where it feathers out away from the
center of the bowl making for a very modernist landscape. This style of bowl
has a wonderful full feeling in the hand and the contrast between wet surface
and the drier ash makes for a unique tactile experience that only wood firing
can create. Few potters can boast such diverse expression across such a wide
array of styles and traditions, thus securing Kishimoto Kennin a spot among a
select group of potters of modern Japan.
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