CHISELED

Over the years it has been fascinating to watch the works of Matsuzaki Ken change, even mature from how he sees form, decoration and especially the firing process. This wood fired, chiseled surface henko falls in to the end of his second phase of pottery making where form and firing are married for maximum effect. Dating to 2004, this henko was coil built creating a slightly thick form that was then "decorated" by using a chisel to create the visual texture of the piece that once wood fired was  both softened a bit yet further accentuated by ash for a dramatic effect. There is a wide array of surface effects on this henko and I choose this side to showcase as it is the side illustrated in Andrew Maske's book, KEN MATSUZAKI; Burning Tradition, I should also note that this is illustrated in an exhibition catalogue from the same year (2004) in Japan. As for the form, it has a primal appearance, elemental and rather stoic that makes the mind work for all the various associations possible; simple form, excellent execution and perfect surface, the pottery trifecta.