Bidoro is among my favorite types of green. Bidoro comes from the Portuguese word vitoro for glass that first appeared in Japan in the late 16th century. The areas of bidoro in Iga and Shigaraki wares sometimes forms large droplets of green glass known as “dragonfly eyes”, tombo(no)me.
This is an excellent example of the bidoro that is highly prized. This guinomi is by Iga potter, Kojima Kenji (b.1953) who is carrying on the demanding art of traditional Iga-yaki. Kojima-san has exhibited widely throughout Japan and his works quickly sell out at shows and exhibitions. I have been looking at his work for well over a decade and the true appeal of his pottery is his combination of traditional Iga pottery with the “now” of contemporary art. Kojima-san’s pieces are his own unique blend of old and new and his thoughtful attention to detail even on guinomi is wonderful. His mastery of his material and kiln are evident in his work.
The way the foot is cut, the guinomi appears to hover and begs to be used. It feels great in the hand and in it’s use. The solitary bidoro tombo(no)me just hangs off the form, frozen in time and defying gravity and logic. All in all a fine pot by a potter who adds to his art and is well worth looking for.
This is an excellent example of the bidoro that is highly prized. This guinomi is by Iga potter, Kojima Kenji (b.1953) who is carrying on the demanding art of traditional Iga-yaki. Kojima-san has exhibited widely throughout Japan and his works quickly sell out at shows and exhibitions. I have been looking at his work for well over a decade and the true appeal of his pottery is his combination of traditional Iga pottery with the “now” of contemporary art. Kojima-san’s pieces are his own unique blend of old and new and his thoughtful attention to detail even on guinomi is wonderful. His mastery of his material and kiln are evident in his work.
The way the foot is cut, the guinomi appears to hover and begs to be used. It feels great in the hand and in it’s use. The solitary bidoro tombo(no)me just hangs off the form, frozen in time and defying gravity and logic. All in all a fine pot by a potter who adds to his art and is well worth looking for.
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