This chawan was photographed on my desk corner as the light of the day was just about to yield to dusk which created this slightly more complex visage of what is actually going on with the glaze. The entire surface, inside and out and into the myriad of crevices is covered in a slight sheen of wetness caused by ash melting on the surface giving the bowl a truly antique, feudal feel without obscuring any of the detail created by the glazes of varying thicknesses contracting about the surface. The form of the bowl is rather simple, with an approachable lip and a practically cut foot and a simple glaze that all add up to a exercise in structure, texture and ultimately character adding a new dimension to the classical definition of what we think of as Tokoname-yaki.
"I search for the realness, the real feeling of a subject, all the texture around it.... I always want to see the third dimension of something... I want to come alive with the object." Andrew Wyeth