In keeping with
my interest in Enso across many media, illustrated is a classical Nezumi-Shino
chawan by Wakao Toshisada. I have written about Toshisada before, so I will
keep my comments brief; the beauty of this pot and its partial white Enso is
its many possible interpretations and its balanced asymmetry. With the roving
lip as the horizon, it resembles a full moon rising into the night's sky to reach
for its fullest potential as is the potter with this lyrical and simple pot.
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