As
if I haven't covered a number of reasons why I am fascinated by Oribe pottery
and the process, the least of which is the variety of styles that have developed
around the classical E-Oribe style. Having sprung from the influence of Furuta
Oribe (1544-1615) in the Momoyama era, Oribe actually was originally based on
the thick feldspathic glaze which became thinner and more transparent over
time. Though the sense of direct and unadorned styles of pottery held sway
during the life of Sen (no) Rikyu (1522-1591), after his death, Furuta espoused
and popularized the spontaneous, refreshing and sometimes "bizarre"
decoration of Oribe which become a lasting part of cha(no)yu. Stemming from
what Tsuji Nobuo refers to as, the "playfulness in Japanese art", the
styles of Oribe developed through experimentation and adaptation of techniques
and ideas that were not based entirely in the craft of pottery; many of these
designs came from "foreign" cloth patterns as well as stenciled paper
designs. This willingness to play with the surfaces and glazes gave rise to a
wide variety of types within the overall category of Oribe. The following are
the major groups of Oribe that have flourished since the 17th century;
E-Oribe; Oribe with patterning painted in
iron underglaze pigments
Ao-Oribe; various hues of green glaze
Kuro-Oribe; very dark green to black glaze,
sometimes accompanied with areas of clear glaze and underglaze decoration
Narumi-Oribe; Oribe green glaze and clear
over a red slip usually with painted underglaze decoration
Aka-Oribe; red Oribe
E-Oribe; "picture" Oribe
Iga-Oribe; Oribe ware made in the fashion of
Iga-yaki
There are a number of modern potters who
embody the playful and spirited nature that originated nearly four centuries
ago with Oribe; potters like Hayashi Shotaro, Suzuki Goro, Takauchi Shugo,
Higashida Shigemasa and of course, Yamada Kazu. Though born into a traditional
Tokoname pottery family (his father Yamada Kenkichi and his uncle Ningen Kokuho,
Yamada Jozan III) Yamada Kazu (b.1954) saw and greatly admired the works of Kato
Tokuro and decided to follow the pathway of the Mino tradition. Creating tea
wares in Shino, Seto-Guro, Oribe and Shigaraki ware, among others, his works
have a fresh and dynamic quality to them which seem to have a Momoyama ideal
that Oribe was founded on. Illustrated is a Kuro-Oribe chawan by Yamada Kazu
with a rich black glaze with a wonderfully moist appearance bordered up against
a transparent glaze with spontaneous, Zen-like splashes of black to articulate
the area. The throwing marks, around the bowl add a great sense of gesture and
perpetual motion to the bowl which follows in the footsteps of generation after
generation of Oribe potters.
.JPG)