Illustrated is a rather simply thrown and glazed chawan, at least by Kumano Kuroemon standards. Having a rather conservative form and posture the surface of this chawan was glazed in iron and Shino glazes and then the surface was accentuated by the ferocity and determination of an intense wood firing. The iron accent on the bowl appears out of the mist of the wispy ash tendrils covering the bowl and the firing has created a wet surface that highlights the strong and purposeful foot. Though not necessarily pertaining to this chawan, for much of his work it seems that his pottery has been assaulted and disciplined by potter and flame to create evocative works of clay that seem to have a contained brutality and dynamic intensity trapped within. As with many really good pots it is easy to get caught up in the use of the poetic and over used superlatives but when you are dealing with the Herculean appearing works of Kumano Kuroemon is that actually possible?