I will not get involved in the meaning or implications of this Zen Buddhist expression but it reads; HONRAI MUICHIMOTSU, a single line calligraphy that the great Zen pioneer Hakuin Ekaku and many other liked to brush. This particular scroll is by the highly versatile painter, calligrapher, sculptor and potter, Tsukigata Nahiko. Brushed in a thick and bold black ink, the easily identifiable calligraphy stands out against the stark white paper which is punctuated in three spots with the read seals of the artist. The mounts are very well done but are simple in that they don't add any conflict with the ink though they frame the painting to the fullest. The scroll is hung in a spot which the owner has "designated" their Western tokonoma and on a lacquer stand there sits a simple, bluish white Yi Dynasty style 20th century Korean vase which happens to be in-between its floral garnish at the moment. In receiving this photo I am reminded how easy it is to create small accents of Japan within an otherwise thoroughly Western environment.