Monday, November 6, 2017

THE SAME BUT DIFFERENT

Recently I ended up firing several kiln loads of pots that were a mix of my regular stoneware, porcelain and the high iron stoneware that I have been making up myself in small batches of about 40 to 50 pounds of clay at a time. The reason I even mention this is that I am pleased with the variety and range that I get from the glazes I use on the pieces making it seem like they are different glazes as opposed to different clay bases which alter the appearance. The only real exception to this is the use of my temmoku on the two stoneware bodies where it comes out almost identical but on the porcelain it is just a tiny bit translucent making for an interesting effect especially over stamped decoration. The illustrated Oribe style jar was thrown out of the iron stoneware and then had a thick band of combed slip applied, over the slip it is an intense, mottled green but over the rest of the body it has a thick, deep green appearance with mossy tendril effects from the additional iron in the clay mingling with the glaze. Though it isn't terribly different then the effects on the regular stoneware it is just different enough to create a surface and appearance that is both related but apart from one another providing just another avenue to explore in the ongoing search to see what else I can get copper to do.

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