I
was recently exchanging photos and emails with a fellow collector when they
asked, where are the big pieces? I had to remark that we actually have very few
large pots and have instead concentrated on pieces that circle around the
sphere of the tea ceremony. These pots are mostly comprised of chawan,
mizusashi, chaire and flower vases with some kogo, tokkuri, guinomi and yunomi
thrown in for good measure and a certain degree of happenstance. In reality,
our collecting has been mostly about the intimacy of objects that can be easily
handled, fondled even and studied at arms length to get the fullest sense of
the aesthetic and purpose. I am not excluding larger pieces intentionally, it
is just that more often than not large pieces just lack the intimate nature of
a chawan and surely the scale becomes imposing to handle, display or store and
after years of being around potters and other artist who I have collected from
and traded with, storage and display space is at a Ginza like premium in our
small home.
Creating
an intimate connection, this low, rounded Iga chawan feels right at home in the
cupped hand, as if it were made to to fit me alone, though it fits equally as
well in the hand of my wife and a few others who have handled it. The ability
to finish a chawan so that the bottom and kodai work well together and are
pleasing not only to the touch but to the eye is a well practiced skill won
through years of trial, error, experience and dedicated patient observation and
in this case it was created at the hands of the Iga specialist, Kojima Kenji.
For this low and open chawan, Kojima first place a healthy swath of slip glaze
around the mouth of the bowl which opens to a fire flashed rear where the face
and back of the interior is covered in a coat of all natural ash glaze
accumulated through an intense, near week long firing of his anagama kiln.
Though simple in form and foot this bowl gives off a rather comforting intimacy
that creates that sense of having know the piece for a very long time and what
could be better than that?
.JPG)
I came across your site while searching for some starting points for my own ash glaze testing. I was happy to see that someone else shares the same appreciation for the more intimate smaller forms!
ReplyDeleteI am not the best thrower and initially that was what kept me to the smaller forms but I've, more often than not, felt that connection only with the smaller ceramics and forms.
Yunomi, Chawan and the smaller Guinomi that appeal to me all seem to have a jewel like character that is quite attractive. Something that you are compelled to pick up, hold in your hand and to feel the weight and balance. Combine that with its primary function, to serve, or to hold and it's just magic really. :-)
Have a great one!
Sebastian