I just had this set of Iga chawan show up by father
and son, master and pupil; Tanimoto Kosei and his son, Tanimoto Kei. The pair
share a number of similarities like size,the fact they are wood fired and both
feel very good in the hand where they differ is in both clay and posture. The
chawan by Tanimoto Kosei, seen on the left is a brighter pot having been thrown
out of a white stoneware clay with a defiantly wonky posture that begs to be
picked up while the piece by Tanimoto Kei, on the right is thrown out of a
coarser stoneware clay, has a darker complexion and a more formal stance. I am not
sure that Tanimoto Kosei has received enough credit for his pioneering attempts
to revitalize Igayaki in the pre and post-war years, having made pottery for
decades, teaching a wide array of pupils who are now the protectors and
innovators of the Iga tradition including his son, Kei. Though there are
obvious difference between these two chawan, what does spring to mind is the
age old axiom, "like father, like son".
https://www.trocadero.com/stores/albedo3studio/items/1377031/PAIR-IGA-CHAWAN-BY-TANIMOTO-KOSEI-KEI
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