Monday, April 15, 2019
RUSHED
Last
fall while I was in the middle of getting pots made for galleries and holiday
sales I ended up making, decorating, firing and packing so quickly that I
didn't take many if any photos of stuff going out the door. In response to one
gallery owner's request that I possibly send them some "new designs"
I had made an extra group of about 20 or so terra cotta bowls destined for either
tebori carved slip, black and white slip trailed or the combination of both and
over coffee the morning of trimming and decorating sketched out several design
ideas. Once the pots were trimmed and black slipped the first bowl I decorated
was with a carved repeat design with white slip trailed dot accents and the
snowberry design was born. It is a rather simple design and the technique to
get there is also simple enough but the flow of the decoration works rather
well on a round bowl or plate surface. In all, I probably only made two dozen
of these pieces but in my rush to make them, I only ended up with a single
photo of a greenware piece, none in their finished state. Not sure what else to
say other than they all sold and the illustrated pieces come from a recently
completed Spring order so I'll keep on making them. I'll end by saying that I
wish every design I came up with was popular but I can certainly think or quite
a few that never took off, most notably the twister-ware design of 1999!
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nice to have them all sell out, wondering do you use terracotta for decorated pieces and high fire clay for the effect of the glazes and textures? How do you keep your clays separated in the studio?
ReplyDeleteIt is a simple juggling act keeping the clays separated along with differing sets of tools and water buckets for each clay. Mostly the terra cotta is decorated in a group of styles and yes, the high fire is more about glazes and glaze effects. No way to get bored this way. CB
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