As
luck would have it, for about a week these two tokkuri crossed paths, both
coming and later going their own way but they were enjoyable to handle and
study during their stay. I had them both on the corner of a shelf though not as
close to the edge originally as in the photo and I noticed this wonderful
shadow that was present and decided to take this particular shot of the two
tokkuri just hanging out but casting a rather moody and impressive shadow, like
siblings, even twins. In the background there is the Kojima Kenji Iga piece and
in the foreground is the Echizen-Shigaraki tokkuri by Miyoshi Kentaro but as is
immediately clear, they cast a nearly identical shadow made just a bit more
atmospheric through the black and white imagery. On a side note, though we live
in very different times, look at the B&W photographs of photographers like
Ansel Adams, there is an absolute clarity to the imagery in an uncluttered,
unfettered and pure way that color can get in the way of and as I look at pots
sans color I sometimes think, there is the essence of the pot stripped to its
bones, pure fired clay.
"To think of shadows is a serious
thing." Victor Hugo
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