Fast forward and while watching a movie there was a large Onda covered jar covered in chattering and I thought this would work for porcelain with black slip and decided to make a new tool that would chatter just a bit differently relying on just the very end of the tool to make the marks as you see them in these photos. I think this has a quirky look to it and fits the piece as well as can be expected and now I wonder if it will be another five years before I do this again?
As a cautionary tale when I first tried this I had been making pots a little over a year or so and not particularly adept at using my homemade tool, that may still apply. In the studio at CSU was a guy who couldn't help copy just everything he would see and he set off make 40 or 50 pieces with chattering decoration and once bisque set about glazing them all in temmoku! Being the tech I gladly loading the gas kiln with his pieces and mine glazed in an amber celadon and a 1-2-3 celadon, when they came out he was just dumb founded as all the decoration was for naught. A word to the wise, use a transparent glaze of some sort or another if you are using this technique.
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