A
while back, I posted a stellar tsubo by
Tokoname legend, Osaka Mikio and then a bit later amother post of the same pot,
with a photo from a book showcasing the potter. Now comes another pot, made at
the very same time as the tsubo, 1982, though made in an entirely different
method. Illustrated is a large Tokoname platter by Osako that has an evocative
ash glaze poured onto the surface which is further enhanced by the wood firing
process. The surface palette runs from a milky emerald color to a rich bidoro
style deep green around crevices helping frame the plate in glassy accents.
What is so unusual about this piece is that the potter, first threw a thick
disk of clay, let it firm up a bit and then literally "carved" the
plate out of the disk, certainly a new spark for a long standing tradition. The
marks left by cutting away the rough clay, narrates the adventure of the pot
and makes for wonderful variations in the surfaces where glaze and ash were
allowed to build up. This plate shows why Osako Mikio was so highly regarded
for adding something new to Tokoname ware that dates back many centuries.
(Used
with the permission of a private collector)
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