Like the phases of the moon, I
assembled this picture to give a 360
panoramic view of the landscape of this
Shigaraki vase. Patterned after a classic uzukumaru-gata form pot, this
thoroughly modern interpretation is by Niigata resident, Kon Chiharu. Though
not a large pot, the manner in which it was made gives it a tall posture which
is exceedingly complimented by the intense firing in which the pot was
subjected and this bidoro and ash rich surface was expertly crafted. Fired on
its side, the landscape has taken on a wonderful array of effects from a sheer
sheet of green glass to running ash flows ending in deep green bidoro drips,
the most noticeable and evocative hangs, suspended off the lip defying all known
principles of reason; but after all, isn't that what wood firing is all about?
"A man always has two reasons for doing
anything - a good reason and the real reason." JP Morgan (1837-1913)
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