sumptuous; (adjective) extremely costly, luxurious,
or magnificent
When I think about Banura Shiro my mind often strays
to the sumptuous Rimpa art of the Edo period with Ogata Kenzan and Korin among others, the
extravagances of the court and the wealth of the merchant class who patronized
so many of the artists and craftsman. I
think that Banura would have fit right in with his classic yet individual flair
for form and graphic surface decorations and certainly with his use of gold and
silver added to his pottery of which this illustrated chawan is an excellent
example. In many respects this teabowl is like a decorated screen with a gold
background that further serves to highlight and accentuate the silver leaves
casually placed about the surface, this chawan could have just as easily been
created in 1750 as the 20th century. As most potters can likely attest, the use
of gold and silver is a complicated tight rope to walk, the balance, amounts
and design all need to be very carefully considered and well thought out prior
to execution or the results become more than a bit "hadé" (gaudy).
For Banura, he employed a wonderful visually and tactile texture behind the
gold which breaks up what could otherwise be a rather ostentatious and even
boring surface. Creating a gilded surface of varying hues, intensity and concentration
showing off an understanding of how far to go without going any further, though
rich and elegant it manages to remain just mysterious enough to engage the
viewer and get a dialogue going.
I wasn't sure what I was looking at, was it a bird's nest, a conglomerate of textures, then I looked further and saw the over laps of minerals and colors.
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