COMPATIBLE

Classic lines, simple form, serene glaze and elegant lid surely are an apt description for the Kyoto style mizusashi by Kimura Morinobu. Throw out of stoneware clay, the form was carefully faceted to create this functional piece which was glazed in an ash based, seiji style glaze that compliments the intent, purpose and design of the mizusashi. As you can see, the edges of the facets on the body and around the mouth were likely slightly rubbed leaving just enough glaze to wet and seal the pot while creating a rich definition to the form and breaking up the monochrome surface.         

All these details show the careful consideration and attention that Kimura Morinobu lavished on his piece despite their casual and quick production. Perhaps one of the crowning details to this striking mizusashi is the lid, custom made to match the faceted form and fit the thrown round mouth. Though custom and a welcome addition in and of itself, the real appeal lid wise is that it was made by Juyo Mukei Bunkaizai (Living National Treasure), Nakagawa Kiyotsugu (b. 1942) of Kyoto. Though I am unsure of their relationship, they both reside in Kyoto and would obviously be aware of each other, making for a perfect shokuhin to approach for those special pieces and their needs. In a sign of great respect, Kimura Morinobu has noted on the box that the lacquer lid was made, hand crafted by Nakagawa Kiyotsugu and was written on the left side, parallel to his own signature.   

I think it is safe to say, making a simple form, with good lines, a perfect blend of aesthetics and utility and pieces/ parts that are exceptionally compatible may seem like an everyday and straightforward exercise but as I am constantly reminded, is there anything more complex than simplicity?