Though not without its organic qualities, this chawan by Banura Shiro is radically different than the chawan I posted by Kumano Kuroemon the other day. Banura Shiro had a wonderful knack for creating work that has an honest and spontaneous quality despite the fact that his work was well conceived and executed within a high degree of exacting control. I would suggest that the first step in his work was the design or concept of the piece followed by the creation of the canvas, in this case the making of the classic Banura chawan form. Once the pot was made, the general, overall texture was created and then the design/ decoration was applied and for this chawan that would then include a post-firing application of a gold rubbed finish that was finalized by a low temperature firing to lock in the surface. I have always found that despite the fact that Banura Shiro relied on variations of this chawan form and his leaves (foliage) design, each and every pot has a singular attitude and fresh appeal that allows a connected body of work to be populated by unique and individual pots.