OPEN ROAD

There is something seemingly quiet, a feeling of solitude leading to deliberate intimacy in holding a bowl designed explicitly for travel. The tabi-chawan, a tea bowl built for the road may hold certain demands other chawan may not, the balance between utility and presence spring to mind, a design challenge Kawai Takeichi meets with striking poise in this piece. Though it is more than likely this bowl was not meant to make its way along the Tokaido it processes those qualities even if the intent was to just make it across the vastness of a single room.    

Formally speaking, this simple bowl asserts a grounded, cylindrical mass where its vertical walls rise with an unhurried curve from a defined, sturdy foot ring (kodai), providing an immediate sense of both actual and perceived visual stability. The profile avoids ostentation, the superfluous details and throwing marks have all drifted away leaving a compact, self-contained volume that nestles comfortably in the hands. Like many pots of the Mingei movement and the Kawai school in particular, this is a vessel crafted not merely to be viewed on some distant shelf, often times collecting dust but created to be held, packed, unpacked, and used across some distances near of far even if it does end up on one’s computer desk.  

The surface, the fire painted canvas, is where Takeichi’s voice resonates most vividly and this bowl stands out from a sea of glazed ware. Covered in a rich, saturated iron glaze (tetsu-yu), the bowl becomes a surreal landscape of dynamic, dark-spectrum movement, where iron over iron punctuates the field and creates visual tension. Cells composed of golden rust, mottled ochre, and deep olive tones bleed into dark black-brown pools, creating a living surface where the dappled exterior catches the light across its gentle curving planes. Given the temperature and physics, the glaze melts and flows into subtle tendril-like runs, a testament to both chemistry and combustion. Frozen in time, the small bowl carries a wet, glossy depth that feels alive to the touch, animated and inviting, scenery constantly shifting under inspection.      

In this simple, unpretentious and noble (?) tabi-chawan, the shadow and spirit of Kawai Kanjiro, is undeniable, yet distinctly translated where Kanjiro channeled monumental energy and expressive unrestricted vigor into his creations, Takeichi absorbed those lessons and distilled them into a more disciplined and everyday functionalism. Though the expressive glaze work directly echoes Kanjiro’s mastery of the elements, Takeichi applied it to forms that for the most part remains strictly humble and utilitarian creating a mixture of both “beauty born of use” and a nobility of pragmatic creation. This bowl and works like it stand as a testament to lineage, taking Kanjiro’s fiery spirit and innovative creativity and shaping it into a quiet companion for a journey along an open road.