I
was searching around on the web and came across this picture of a nice Shino
mallet vase by Mizuno Takuzo, my original search didn't pan out despite
searching for some time so in some ways this vase is a consolation prize of
sorts. The form is certainly deliberate in nature with the type of inward taper
moving toward the shoulder with the neck flaring out as it goes up giving the
mallet just the right sense of proportions and geometry that appeals to me.
Though there doesn't appear to be any iron slip applied, the Shino surface has
blushed to pinks and orange flashes from top to bottom and coupled with the
excellent texture makes for a rather visually engaging pot. I would be remiss
if I didn't mention the shallow depression that moves from the shoulder to the
neck which is highlighted by a spiraling texture that goes around the pot and
is dusted with just a hint of wood ash especially in the depressions. I think
if I was pressed I could come up with a reasonable explanation of what it is
about the mallet form that interests me, but the short cut to the answer is simple,
it appeals to me at a visceral level, I respond to the borrowed purpose and
weathered aesthetic that is imparted on pots just exactly like this piece by
Mizuno Takuzo. There is little more that I can ask or expect from a pot.
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