SURFACE

This is another one of those pieces that is all about the surface. The simple form is the perfect bones for the use of the kohiki, crackle slip over which a thin layer of haiyu ash glaze is used to seal the surface and present a complete canvas. The landscape on this haiyu kohiki chawan by Kako Katsumi is emulated some distant and exotic place where texture reigns supreme and engulfs the rounded, functional form and there is even more to see in the interior.    

Kako Katsumi born in Kyoto and working in Tamba has blended the aesthetics of both locations to create a rather diverse and rich palette of forms, textures, glazes and ideas. Though seemingly simple in its constituent parts, this bowl is a wonderful, lyrical assemblage of clay, form, surface and fire which Kako has worked toward a mastery of where he is able to move back and forth between a diverse vocabulary of ideas and avenues. This chawan beyond being a tactile handful is just one example of what decades of testing, firing and experiments will get you where Kako Katsumi has certainly proved his mettle.