This simple, textural guinomi was made by Yamato Kiyoshi whose social media presence keeps one up to date on his work and firings. Having established his own kiln, the Meizan-gama in 2000, his work has been widely exhibited including at a number of traditional Kogei exhibitions and at the Takashimiya Department Stores. Though I have seen a number of his pieces, just judging from this singular encounter I think it would be a safe bet that not only the work is of a high level but it is clearly rooted in the Hagi tradition while clearly part of a new generation moving the needle forward, pot by pot.
(* Not necessarily a disco song reference unless you want it to be)
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