Illustrated
is a small little jar made in Fujina, it is combed slipware with a soft
greenish toned ame-yu glaze made by mingei purist; Funaki Michitada
(1900-1963). Measuring in at less than four inches tall, this pot is a little
gem with a swollen, full presence with a perfect little knob made just right to
get the job done. Influenced by Old English slipware and Bernard Leach,
Michitada and his son, Kenji (b. 1927) have carried out a crusade for creating
beautiful and functional pots in a blended style of medieval England and Japan.
This lidded ko-tsubo is made out of an iron rich reddish clay that just peeks
out through the combed texture revealing a dark surface just beneath. Having a
wonderful, natural feel in hand with a lid fits just right and the knob just asking
to be grabbed this is a mingei pot through and through.
Showing posts with label funaki kenji. Show all posts
Showing posts with label funaki kenji. Show all posts
Friday, February 26, 2016
KO-TSUBO II
Labels:
ame-yu,
Bernard Leach,
fujina,
funaki kenji,
funaki michitada,
mingei,
slipware,
soetsu yanagi
Friday, May 23, 2014
HONTO
There is a lot one can say about
Funaki Kenji (b.1927) from idealist to a staple in the Mingei tradition. Unlike
most of the post-war potters, Kenji embraced the teaching of both Bernard Leach
and Yanagi Soetsu and in doing so fused together a distinctly Japanese sensibility
with hints of Old English pottery and his personal mingei journey. This journey
started under the tutelage of both Leach and his father, Funaki Michitada
(1900-1963) creating a foundation for a dedicated mingei style. Working on the
shoulders of the Fujina tradition and the Fujina-gama, founded in 1845, Funaki
Kenji has crafted work that is direct, honest and aesthetically pleasing. His
forms and glazes maintain a balance of function and practical utility but the simplicity
of his pottery is betrayed by the luminescence and depth of the surfaces
married well to strong and noble pots. Illustrated is a rather utilitarian covered
jar, at its core a pot for everyday use, but examine the various details, the
handles and knob are both practical and aesthetic considerations, the volume
and decorative accents animates the verticality of the pot and rich, lustrous
glazes encapsulate the piece to bring it all together and to life. It is a
functional pot for everyday use, but the truth of the pot is, it is so much
more.
"The pure and simple truth
is rarely pure and never simple." Oscar Wilde
Labels:
Bernard Leach,
fujina-yaki,
funaki kenji,
funaki michitada,
mingei,
soetsu yanagi
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