M3 III

Illustrated is another entry partially created by AI of a rather classical Sansai  (sancai) style mizusashi by Kato Kiyokazu (Kato Seizan II). The first pot I ever saw by this potter was a similar squared mizusashi with a sansai surface articulated with incised potters’ marks and punctuated by added device around the form. Based or influenced on some Chinese archetype or another this pot has a profound sense of form and volume just waiting to be explored with the simple removal of the lid. The well-conceived balance between form, marks and the flowing rich surface all point to an object that would easily be at home in a museum case showing off movement toward a distinctly Japanese aesthetic while not quite abandoning its Chinese roots.     

The truth is that many modern Japanese traditions and movements rely on their Chinese or Korean origins and this Sansai mizusashi is no exception. Beyond the tri-colored pottery, Kato works with hakuji, temmoku and ransai where his meticulous throwing and craftsmanship can not escape scrutiny of the viewer and where near perfection is called for. I chose this “sansai hana-mizusashi” as a classical and highest quality object by Kato Kiyokazu to reside in my Museum mentis meae where the nobility, tradition, history and aesthetics all come together in a clear vision where the viewer may leave the object behind by the conversation is likely far from over.  

“I want to establish a form of aesthetic beauty that blends a soft gentle atmosphere with a sharp, focused sense of tension.”  Kato Kiyokazu

(*This picture contains an actual image of a pot or pots in an AI generated background or scenario)