IT IS WHAT IT IS

I got down to the wire and was rather involved in writing a post that it became quite clear I was not going to get finished and posted up. It happens especially when you try to draw in ceramic critics like Hayashiya Seizo and Koyama Fujio, this will have to wait for another day. Instead, I thought I would put up this obtuse and mysterious sunlit and shadowy picture of a large Hagi henko by Yamato Tsutomu, enjoy?