Showing posts with label kondo hiroshi. Show all posts
Showing posts with label kondo hiroshi. Show all posts
Friday, January 26, 2018
RED, WHITE & BLUE (AND SOME GOLD) II
Illustrated is a large pure white porcelain tsubo
with vivid areas of undeglaze blue and overglaze red and gold over a fine
transparent clear glaze. Fine detail is added to the grapes and leaves using
sgrafitto through the overglazes creating this fine Kyoto tsubo by Kondo Hiroshi.
Kondo Hiroshi (b.1936), son of NIngen Kokuho,Kondo Yuzo and younger brother of Kondo Yutaka,
focused on his father's patented style of sometsuke ware of which this piece is
a wonderful example. Spending his life dedicated to this technique, Hiroshi
create unique works influenced by his father and Tomimoto Kenkichi while
carving out a style that can be seen as his own. Besides being a full time
potter, Kondo Hiroshi went on to teach and even ended up teaching at several
colleges/ universities in 1968 and again in 2006, he also went on to win the
prestigious "Tomimoto Prize" in 1973. Just like the work of his
father, Kondo Hiroshi uses his stoic, pure white porcelain forms as canvas that
he adorns in a spontaneous and fluid design that captures the essence of not
only sometsuke but also the heart and soul of Japanese sumi-e style painting
and Kyo-yaki of a modern age.
Labels:
kondo hiroshi,
kondo takahiro,
kondo yutaka,
kondo yuzo,
ningen kokuho,
sometsuke,
tsubo
Friday, June 19, 2015
HANA-HANAIRE
There is that old expression
that some things just aren't black or white, well in this case, that is exactly
what it is. I just received this black and white hana-hanaire by Kondo Yutaka
from the same source that sent me the last one I had to offer and looking at
this classic and traditional form, there is nothing more elemental than this
simply executed black and white surface. This vase has less decoration than the
last one but the flowing inlay is masterful articulating the form like it is in
perpetual motion and the surface has a wonderful luster to the rich black as
well. Though it doesn't show in this photo, the foot is great, cut crisp and
perfectly, it finishes off the piece and reminds us, a poor foot ruins a good
piece but a good foot and a good pot go hand in hand.
And just because it is Friday,
Donald Fagan; TOMORROW'S GIRLS
Labels:
kondo hiroshi,
kondo isami,
kondo takahiro,
kondo yutaka,
kondo yuzo
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